One enters a total installation, witnessing a gallery space that appears to have been left behind after a celebratory dinner. A large table that was the center of the preview dinner remains, covered with jewellery art and holloware objects. A deconstructed jug and porous silver glasses, where the red wine slowly seeps out, contribute to a sense of the transience of time. The jewellery is scattered across the table as if the guests have left them behind in a hurry. This scenario invites reflection on the archetypes that could have worn the jewellery and the stories that they carry with them.

SILVER LINING invites the viewer to look past the aesthetic and the value of the materials used and instead delve into the layers of meaning and symbolism that the artworks represent. The total installation challenges us to reflect on the relationship between art, object and human, and how jewellery and holloware works function as symbols shaped by their context, time and social norms.

Hanna Havdell
Havdell's necklace and bracelet explore how memories, collections and fragments can be embedded in jewellery. Her cast silver objects, created in such thin forms that they are not completely filled, appear as shadows of what they could have been. Havdell's objects remind us of the stories and memories we carry with us and how they become part of our identity. In the exhibition some of the artist's objects are left on the table, as charms and small collections, in where we see a reflection of people's urge to hold on to the past while moving forward.

Markus Pollinger
Pollenger's works start with industrial forms that are transformed into new objects through manual processing. His use of materials such as stainless steel, copper and silver create a dialogue between industrial design and traditional craftsmanship, giving the works a new meaning and function.

Hongxia Wang
Wang's wearable objects are created with a poetic approach to the material. While traditional goldsmithing forms the foundation, the artist's idiosyncratic approach to the craft brings these conventions into a new aesthetic realm. Her works may seem sculptural and raw, while at the same time, delicate and fragile. They materialize as fossils born out of the creation process, where intuition plays a key role. Through her combination of traditional craftsmanship and spontaneity in hands and eyes, a jewellery language emerges that both touches and evades our expectations.

Maria Eurenia Muñoz
Muñoz's porous silver glasses, where the red wine slowly seeps out, questions everyday life and our reality when a South American perspective is confronted with a European view. These glasses, which seem dysfunctional in their form, create a dialogue about our daily consumption and the legacy of colonialism. When we see the red wine seeping out, we are reminded of the losses and transformations that have shaped our history and current times. Muñoz's works on the table thus become symbols of the challenges and questions we face in today's society.

Anders Ljungberg
The "Connect Me, Collect Me" jewelry reflects on connections and caring for someone or something. Janne Krogh Hansen's works combine organic and anatomical elements in a fusion that explores themes such as intimacy and nature. Through the jewellery, she tries to create moments that connect us with the world and each other.

Sarah Hurtigkarl
The wall mounted works, such as "The Uncommon Life of" and "Vision of a Spoon", explore the relationship between objects and identity. These pieces celebrate the beauty of the often overlooked details of life and create experiences that allow us to escape from our daily routine and delve into daydreams. By placing these objects as if they have escaped the everyday grind, they take on a unique and mysterious presence that invites the viewer to reflect on their own connection to the things they surround themselves with.

Klara Brynge
Brynge's jewellery, such as the "Closer", "Dream II" and "Furrow" necklaces explore landscapes and the abstractions of nature. She uses silversmithing techniques to create fragments that connect the two- and three-dimensional, and which activate the encounter between the organic and the architectural. Her works invite to a deeper understanding of how we experience and interact with our surroundings.

Jorge Manilla
Manilla's rings look like discoveries from a shipwreck, evoking memories of a mysterious past or a post-apocalyptic future. Expressing abstract and enigmatic narratives, these works explore the physical, mystical and emotional. By including these rings in the installation, the viewer is led to consider the stories and meanings we attribute to the objects we find and preserve over time.

Kim Buck
Kim Buck's works such as "Double Ribbed Puffed Up" and "Puffed Up Vase" explore form and function through a technique where flat silver plates are inflated into three-dimensional shapes. "Puffed Up" refers both to the technique and the ambiguous meaning of 'puffed up.' Resembling familiar forms such as spoons and vases, these works are created to evoke wonder and admiration rather than practical use, exploring our relationship with everyday objects and their aesthetic potential.

David Clarke
"Flaming Bunnies" explores our complex relationship with animals, ranging from beloved pets to mere exploitation of them as a resource. Created from porcelain, wax and electroformed copper, these works mix humor and seriousness in a reflection on our perceptions of wildlife and domestication.

Marie-Louise Kristensen
In the rings "In Search for a Silver Lining" and "HOPE", Kristensen uses humor and narrative to create jewellery that combines exclusivity with everyday materials and design. Her jewelry tells stories about human creativity and the ability to find solutions to life's challenges.

Janne Krogh Hansen
The "Connect Me, Collect Me" jewelry reflects on connections and caring for someone or something. Janne Krogh Hansen's works combine organic and anatomical elements in a fusion that explores themes such as intimacy and nature. Through the jewellery, she tries to create moments that connect us with the world and each other.

Else Nicolai Hansen
The works "Travel Bottle" and "Grater Ring" use silver to create everyday objects with an artistic twist. Else Nicolai Hansen's design process start with chaos and develop into recognizable forms that comment on contemporary life and rituals.

Sofia Björkman
The brooches "Bow", "Safe" and "All Love" were created with inspiration from inherited sewing tools. Her work reflects on the past, present and future, where each brooch becomes a symbol of the passage of time and the stories woven into the materials. Björkmans works use silver and steel, creating objects that tell stories of equality and change.

Annette Dam
The works in the "TAKING THE LIBERTY" series explores gender and power structures through the combination of traditional male and female accessories. Her works challenge conventional gender expressions and seek to create a new visual aesthetic that raises questions about identity and gender stereotypes.